Last week I had the distinct pleasure to go visit a well known mitten that rather recently has been placed on display again in the NOREGR – Medieval Stories exhibition at the Historical Museum in Oslo. And thus, the Oslo mitten joins the Nalbound Object of the Week series.
Anne Marie Decker pointing to the Oslo mitten on display in the Historical Museum in Oslo. Photo Anne Marie Decker 18 April 2024
Object: Oslo Mitten
Description: An adult sized mitten made of wool with damage at the base of the thumb and palm areas.
Dated to: 11th century,1 medieval. Ca. 1025-1125 CE2
The exhibition label for the Oslo mitten in the NOREGR – Medieval Stories exhibition at the Historical Museum in Oslo. Photo: Anne Marie Decker 18 April 2024.
Find location: The mitten was found during the 1926 excavation of the old town of Oslo on a layer of wood chips under the wooden flooring of a narrow passage between houses. This part of town was built in the 11th century.3
Stitch(es) used: Nordland published the stitch used as 412 in his classification system5 which most likely translates to the stitch commonly known as Oslo and classified in Hansen’s notation as UO/UOO F1. However, further examination is warranted as the surface texture does not match. The surface texture more closely resembles the Mammen stitch, F2 UOO/UUOO.
Some sources in which more information can be found:
Claßen-Büttner, Ulrike. Nadelbinden – Was ist denn das? Geschichte und Technik einer fast vergessenen Handarbeit. Norderstedt: Books on Demand GmbH, 2012. ISBN 978-3-8482-0124-2.
Claßen-Büttner, Ulrike. Nalbinding – What in the World Is That? History and Technique of an Almost Forgotten Handicraft. Norderstedt: Books on Demand, 2015. ISBN 978-3-7347-7905-3.
Nordland, Odd. Primitive Scandinavian Textiles in Knotless Netting. Studia Norvegica no. 10. Oslo: Oslo University Press, 1961. No ISBN listed in Book.
Photographs:
The museum catalog has 3 very nice zoomable photos. The two color photos are of one side and the black and white of the other.
Oslo Mitten. Photo: Anne Marie Decker 18 April 2024Detail of the thumb of the Oslo Mitten. Photo: Anne Marie Decker 18 April 2024The display case in which the Oslo mitten is currently located in the NOREGR – Medieval Stories exhibition. Photo: Anne Marie Decker 18 April 2024Detail of the cuff of the Oslo Mitten. Photo: Anne Marie Decker 18 April 2024
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
The famous sock from Uppsala is not the only nalbinding found in Uppsala. This week’s Nalbound Object of the Week are the fragments of what is believed to be another sock. This one found in the Kransen quarter of Uppsala. I was graciously allowed access to examine these fragments at the Statens Historiska Museet in May of 2023. Some of what you see in the box is moss.
Image of the fragments of 34821, cropped to remove excess background. Upphov: Rosengren, Helena, Historiska museet/SHM (CC BY 4.0)
Object: Kransen sock fragments
Description: Nine fragments of what is believed to be a sock.1
Some sources in which more information can be found:
Gustafsson, Jan Helmer, and Ola Ehn. Kransen: ett medeltida kvarter i Uppsala. Uppsala: Upplands fornminnesfören, 1984. ISBN 91-85618-21-7.
Photographs (if permissions allow):
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
Gustafsson, Jan Helmer, and Ola Ehn. Kransen: ett medeltida kvarter i Uppsala. Uppsala: Upplands fornminnesfören, 1984. Pg. 76. ISBN 91-85618-21-7. ↩︎
Gustafsson, Jan Helmer, and Ola Ehn. Kransen: ett medeltida kvarter i Uppsala. Uppsala: Upplands fornminnesfören, 1984. Pg. 8. ISBN 91-85618-21-7. ↩︎
The patterned fragment from Dura-Europos has always fascinated me, so today it too joins the Nalbound Object of the Week collection. The fragment was excavated by the Yale-French Excavations at Dura-Europos sometime between 1928–37. It is only 5 7/8 by 6 11/16 in. (15 × 17 cm). Given the standard ratios of socks of this type and analysis of the fragment itself, what remains is 3/4 of the original circumference of the sock ankle.
Anne Marie Decker’s theoretical reconstruction of what the Dura-Europos patterned fragment may have looked like when the sock was whole based on standard ratios found in examinations of socks worked in Cross-knit Looping found in Egypt and surrounding regions. The fragment itself is in the background.
Object: Patterned fragment from Dura-Europos
Description: The patterned heel cup and ankle of a fancy Cross-knit Looping sock. The pattern consists of a vertical column of knit wales followed by a purl background with two pomegranate shapes placed one over the other (one is missing). Then another vertical column, a tree of life pattern that goes up the center back of the sock, and another vertical column. This is followed by another purl background with two pomegranates and ending with a final vertical column. The fragment has a few perpendicular stitches on the bottom right that are the remains of the mid-foot section. On the same side, a few lacing loops are preserved indicating that this sock likely had a tongue flap and lacing closure similar to that seen in the contemporaneous sock from Egypt currently in the V&A collections in London.
Rutt, Richard. A History of Hand Knitting. London: B T Batsford Ltd, 1987 ISBN 0713451181; reprinted Loveland, Colorado: Interweave Press, 1989 ISBN 0-934026-35-1, Library of Congress Catalog Number 87-46353; pgs. 28-30.
Pfister, Rudolf and Bellinger, Louisa. “The textiles: Knitting,” Rostovtzeff, M.I., et al. The excavations at Dura-Europos Final Report IV, Part II. New Haven: Yale University Press, 1945, 54-5.
Photograph:
1933.483 Patterned fragment from Dura Europos. Cropped and rotated to show original orientation. Original Photo Credit: The Yale University Art Gallery – Public Domain CC0 1.0 Deed
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
The Yale Univeristy Art Gallery dates the fragment to c. AD 200-256 https://artgallery.yale.edu/collections/objects/5962. Dura Europos was sacked and never reoccupied, so we are fairly certain the sock pre-dates 256 CE when that occurred. The only other example of a sock with lacing loops in the corpus has been carbon dated to a very similar timeframe. ↩︎
The collection of Peruvian nalbinding is full of beautiful figural work. This week’s Nalbound Object of the Week is one of my favorites: a small cap with a dog nursing her puppies.1
Photo: The Textile Museum – Public Domain
Object: Peruvian cap with puppies
Description: The cap is a slightly ovaloid shape just under 6 inches in diameter (5.5 x 5.75 inches) and 1.5 inches high (3.81 H x 14.60 W x 13.97 D cm).2 On top of the cap is a striped “dog” nursing three striped “puppies” worked in 3 dimensional figural nalbinding.
We know of several other caps from Peru in this time frame with figural work on them. One in purple and white stripes with a chicken head. Another in red and yellows with two birds on top.
Material: camelid5 (meaning unspecified fiber off the alpaca or llama or other variety of camelid animals6)
Stitch(es) used: S-crossed Simple Looping, B1 U, (museum record says Cross-knit Looping,7 but image shows a surface texture of Simple Looping or possibly Pierced Looping)
Some sources in which more information can be found:
Rogers, George (Author). “Calendar” in The Textile Museum Bulletin, The Textile Museum Bulletin, Washington, D.C., 1990, vol. Spring, p. 8.
The Textile Museum. An Introduction to Textile Terms, Washington DC: The Textile Museum, 1997.
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
Looping in An Introduction to Textile Terms, Washington DC: The Textile Museum, 1997. ↩︎
An interesting article regarding the difficulties in identifying between the 4 types of camelids in South America in the archeological record can be found in Paloma Diaz-Maroto, Alba Rey-Iglesia, Isabel Cartajena, Lautaro Núñez, Michael V Westbury, Valeria Varas, Mauricio Moraga, Paula F Campos, Pablo OrozcoterWengel, Juan Carlos Marin, Anders J Hansen (2021) Ancient DNA reveals the lost domestication history of South American camelids in Northern Chile and across the Andes eLife 10:e63390 at https://doi.org/10.7554/eLife.63390/ ↩︎
Structure: https://collections-gwu.zetcom.net/en/collection/item/165/, but the diagram in An Introduction to Textile Terms, Washington DC: The Textile Museum, 1997 for Looping, which is illustrated with this cap, shows alternating rows of S- and Z-crossed Simple Looping, not Cross-knit Looping. ↩︎
This week’s Nalbound Object of the Week comes from Central Africa. There are quite a few of these beautifully fine Prestige Capes from the former Kingdom of Kongo now in museums around the world. I was honored to be able to examine this particular one closely. Until you are in the presence of one, it is hard to comprehend just how delicate and fine this complex compound nalbinding is; and then you add in the openwork patterning. Definitely breathtaking.
Photo Credit: Textile Museum Acquisition – Public Domain
Description: A stunningly fine raffia cape worked in a trebly intralaced compound nalbinding stitch with an openwork zigzag pattern. The neck opening has a layer of Simple Looping around the edge. The outer edges have raffia fringe knotted onto them. The front and back rows have strings knotted on every few stitches from which the handle-like tassels are suspended. This cape has one both front and back. Some also have them off the sides.
There is an illustration of an etching, based on a photograph, that was made ca. 1880 of a Chief in Full Dress Attire wearing a nkutu on page 73 of Kongo: Power and Majesty.
Stitch(es) used: B1 UU/OO/UU/OOU as determined by Anne Marie Decker during her examination of the object on 14 June 2023. The row heights are very fine for this compound of a nalbinding stitch; around 5/8ths of an inch. There is a single row of Z-crossed Simple Looping, F1 O, around the neck opening.
The Textile Museum specifies that the structure is “looping,” but not the specific stitch used.7 This type of cape has also been misidentified as sprang8 in other examples, but they are not.
So far, the only other place where we see other stitches in the same trebly intralaced family of stitches is in the Omani stitch sock as described by Peter Collingwood (the only example of that particular stitch out of Oman that has been found so far).
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
For example, the British Museum’s Af1853,0713.1 lists its technique as sprang: https://www.britishmuseum.org/collection/object/E_Af1853-0713-1, but also provides clear and close photographs that show it is worked in exactly the same interlinking nalbinding stitch as this one in The Textile Museum. ↩︎
The Uppsala sock now joins our Nalbound Object of the Week collection. I had the pleasure seeing this sock on display during my first trip out to view extant objects back in June of 1999.
Description: A light brown sock with a spiral heel (10 rows), slit at the ankle (7 rows), and a darker brown embellishment along the cuff/slit. The toe of the sock has 17 rows.1 The heel is worked in a beautiful perfect spiral; a photo of which is included in Anne Marie Frazén’s article “En medeltida socka i nålning” linked below (as well as other photos taken during conservation). The sock is 21 cm long with a 5 cm ankle shaft.2
Find location: Excavated in December of 1961 in plot 8 of the excavations of Duvan quarter in Uppsala, Sweden, amongst a large quantity of leather shoe remains.4
Material: now light brown S-spun Wool. The ankle decoration is a now dark brown S-twisted, fairly thick, wool yarn.5
Stitch(es) used: Mammen, UOO/UUOO [F2] (Frazén’s article shows a diagram of the stitch (upside down), but does not specify the connection used. However, she does say it is the same stitch found in the Mammen pennants and in the Egyptian sock described by Schinnerer in Antike Handarbeiten.)6
Franzén, Pgs. 40 & 44. However, Katrin Kania lists UOO/UUOO F1, which would be Korgen, in the entry in her book Kleidung im Mittelalter: Materialien, Konstruktion, Nähtechnik : Ein Handbuch. Köln: Böhlau Verlag, 2010. ISBN: 978-3-412-20482-2 on page 398 when citing from Anne Marie Franzén’s article. ↩︎
With my sincerest thanks to my Patrons, this week’s Nalbound Object of the Week is the Coppergate Sock. On display at the Jorvik Viking Centre, this sock goes by many names; all related to its find location. Coppergate Sock, York Sock, or Jorvik Sock, but they are all the same artifact.
Object: Coppergate Sock, also known as the York Sock or the Jorvik Sock
Description: A fine wool sock that ends just below the ankle. The last row at the ankle is worked in a dyed yarn, unlike the rest of the sock, which either was meant to act as a decorative edge or could indicate a longer stocking leg in red is missing.1 However, we don’t have evidence of nalbound stockings going much past the ankle until a few centuries after this sock and even then they are not common in finds. Additionally, we do have evidence of Egyptian socks that have a single row of color at the ankle. Much of the heel is missing as well as holes near the toes and a damaged slit along the vamp. All pieces were connected, none loose. The pieces were drawn together during conservation in order to better show the original shape.2 There is evidence of patching having been sewn on the sock based on the outline of wool stitching. After conservation, the sock is 10 1/4 in. (260mm) long toe to heel (pre-conservation c. 9 1/2 in. / 0.23m). Circumference at ankle 12 7/8 in. (325mm) and at broadest part of foot 10 5/8 in. (270mm).3 Before conservation measurements are in Jean M. Glover’s, Senior Textile Conservation Officer at the North West Museum and Art Gallery Service, conservation report “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. The Archaeology of York, The Small Finds 17/5. Published for the York Archaeological Trust by the Council for British Archaeology. 1989. Pg. 430-431. ISBN 0 906780 79 9.
Dated to: Period 4B is dated to 930-975 CE,3 10th century4
Find location: The sock was found in the backyard of one of the wattle buildings of Period 4B5 in the excavations of 16-22 Coppergate, York, England, UK. It was found in context with several other Scandinavian style textiles which may imply that they were imported on a Scandinavian visitor/invader or that they could be simplified copies made by the local Anglians.6
Material: Stable isotope analysis of the Coppergate sock indicates that the wool came from somewhere in the Ireland-to-south Scandinavia band. It is consistent with an origin of the British Isles, but Ireland and Denmark also give similar results.8 It is a smooth and even S2Z plied wool.9 (Two S spun singles plied together with a Z twist.) The missing patch (possibly flax or other vegetable fiber that has since decayed away) was sew on with Z2S plied wool10 1.5 mm in diameter.11 Based on the pictures, this repair yarn appears thicker in diameter than the yarn used for the nalbound fabric.
Color: Dark brown (potentially related to the many years of being buried).14 The last row of the sock at the ankle is worked in a smooth dark yarn that was dyed with madder. Test results were negative for dyes on the rest of the sock.15
The original diagram of the stitch used in the Coppergate sock. There is an issue with this diagram in that the needle shows the correct connection to the previous rows of F2, but the rest of the diagram shows an F3 connection. Image was originally published in the 1980’s and has been used repeatedly in multiple publications since.
Stitch(es) used: Based on analysis of the upper edge of the sock: York, UU/OOO F2.10 The foot portion could not be analyzed due to “heavy wear and felting on the inside.”11 Further analysis is obscured by the conservation tulle covering the sock.
Construction details: Examination of the pre-conservation drawings and the photographs available of the sock show a clear round start to the toe with quite a few stitches in it. According to Penelope Walton’s analysis, there is a single loop of yarn at the toe around which a circular row of loops is worked.12 The F2 connection combined with York stitch UU/OOO means that each subsequent row overlaps the previous row by half. Penelope Walton reported a gauge of approximately 36 rounds per 100mm.13 That’s about 36.6 rows per 4 inches or just barely over 9 rows to the inch.
Also shown are three areas of shorter row wedges in the heel. The first 7 rows deep coming off the mid-foot. The second, 3 or 4 rows are still remaining. The ankle has apparently 4 rows going around the entire ankle, cut only by the slit on the vamp. In the back of the heel are quite a few rows going parallel to the rows around the ankle. There was difficulty in this area for the conservators as they tried to draw the damaged areas together, because the rows were not as obvious in their orientation in this region.18 This is where the confusion regarding type of heel comes in, because if those were a third wedge in the style of the Egyptian or Swiss socks/stockings (which tended to have two at most), then one would expect longer rows followed by shorter rows with the ankle rows covering the ends. It is possible that the third wedge is worked in reverse, short to longer rows, to cup the back of the heel and give a more upright angle to the ankle opening (wedge heels tending towards a 45 degree rather than 90 degree angle between foot and leg). Figure 142a on page 344 of Textiles, Cordage and Raw Fibre from 16-22 Coppergate shows a drawing of how Penelope Walton thought the heel might have been reconstructed. It is important to note that she suggests the construction may be closer to the double wedges of one of the slightly later Swiss socks from Délémont/Delsberg than the spiral construction of the Uppsala heel or the rectangular heel flap and cup combination of the earlier Roman Egyptian socks. She does not appear to have known of the compound nalbound socks out of Egypt (only the cross-knit looping variety) that almost all have wedge heels, a few with two wedges, (the only exception being one that has a heel flap and cup style like the Cross-knit Looping style socks).
Inventory number: Small Find 13517. Catalogue Number 1309.
Some sources in which more information can be found:
Glover, Jean M., Senior Textile Conservation Officer at the North West Museum and Art Gallery Service, Blackburn. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. The Archaeology of York, The Small Finds 17/5. Published for the York Archaeological Trust by the Council for British Archaeology. 1989. Pg. 430-431. ISBN 0 906780 79 9.
Walton, Penelope. “Production at Coppergate, York: Anglo-Saxon or Viking?” in Textiles in Northern Archaeology, Textile Symposium in York, North European Symposium for Archaeological Textiles Monograph 3, NESAT III, ed. by Penelope Walton and John Peter Wild. London: Archetype Publications, 1990. ISBN 1-873132-05-0.
Walton, Penelope. Textiles, Cordage and Raw fibre from 16-22 Coppergate. The Archaeology of York, The Small Finds 17/5. Published for the York Archaeological Trust by the Council for British Archaeology. 1989. Pgs. 341-345. ISBN 0 906780 79 9.
Walton Rogers, Penelope. Textile Production at 16-22 Coppergate. The Archaeology of York, The Small Finds 17/11 ed. by P.V. Addymann. Published for the York Archaeological Trust by the Council for British Archaeology. 1997. ISBN 1 872414 76 1.
Photographs:
Regia Anglorum was the first place to publish anything online regarding nalbinding that I can remember and they included Penelope Walton’s diagram and drawing of the Coppergate sock: https://regia.org/research/life/naalbind.htm
Astrid Bryde shared photos of the Coppergate sock from her visit to the Jorvik Viking Centre in 2018. The photo taken of the back of the heel is particularly interesting as it shows angled rows as if from a wedge style heel.
On May 7, 2019, Hacking Civilization published the following embedded YouTube video showing the Coppergate sock as it is currently displayed.
I recently ran across this video published by The JORVIK Group on Jun 6, 2016 also showing the Coppergate/York sock.
And more recently they’ve also posted:
This Facebook group, Nålbinding, is a closed group. If you join it and search for the Coppergate sock, you will find several interesting posts by a variety of people of photos taken of the sock on display.
Hilde Thunem’s article, Viking Clothing: hose and socks, includes several additional photos of the Coppergate sock on display. It also puts the sock in perspective noting that while there are multiple finds of socks/hose from the period and region, only the one is nalbound. Most are of cut and sewn woven cloth.
Acknowledgements: This extended Nalbound Object of the Week is brought to you by the generosity of my Patrons on Patreon. Your continued support helps to fund more detailed research and articles as well as longer blog posts.
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 343. ↩︎
Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 431. ↩︎
Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 430. ↩︎
Walton, Penelope. Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 418. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 341. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 341. ↩︎
Walton, Penelope. Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 418. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. and Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 430. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 341. ↩︎
Walton, Penelope. “Catalogue” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 435. ↩︎
Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 430. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. and Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 430. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. Diagram on page 343. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. and Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 430. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. ↩︎
Walton, Penelope. “The sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 342. ↩︎
Glover, Jean M. “Sock in nålebinding, 1309” in Textiles, Cordage and Raw fibre from 16-22 Coppergate. Pg. 431. ↩︎
Anne Marie Decker with the Tarim beret as it was taken out of the display case for her to examine in order to determine the stitch used. 21 June 2000.
The Tarim Beret is a beautifully fine example of what kinds of designs are possible using even the simplest variants of nalbinding. This hat was on display in 2000.
Object: Tarim Beret
Description: A finely nalbound brown wool beret stretched over a felt roll. The stitch patterning leaves a visual impression of four striped quarters, but it is worked in the round.
Dated to: ca. 1000 BC (wood of the tomb calibrated C14 results date to 2960 ±115 years Before Present* (published 1999))
Find location: Zaghunluq Cemetery, Chärchän/Qiemo County, Tarim Basin (central southern edge thereof), Xinjiang, China
Material: Wool
Stitch(es) used: Space patterned Z-crossed Simple Looping, F1 O (as determined by Anne Marie Decker 2000)
Current location: 新疆维吾尔自治区博物馆 Xinjiang Uyghur Autonomous Region Museum, 581 Xibei Rd, Saybag District, Ürümqi, Xinjiang, China, 830000
*王炳华 = Wang, Binghua. 新疆古尸 : 古代新疆居民及其文化 = Xinjiang gu shi: gu dai Xinjiang ju min ji qi wen hua = The ancient corpses of Xinjiang : the peoples of ancient Xinjiang and their cvlture [i.e. culture]. Wulumuqi-shi: Xinjiang ren min chu ban she, 2001. ISBN 7-228-05161-0
This week’s Nalbound Object of the Week is the Vasa Mitten on display in the Vasa Museum in Stockholm, Sweden. The wool mitten was found in a barrel with a pair of leather outer mittens in the remains of the ship Vasa which sank in 1628 CE.1 It is not the only mitten found on shipwrecks around this timeframe, nor is it the only nalbinding that was found on the Vasa. Simply the nalbound item on display; the rest are kept in the museum inventory.2
Anne Marie Decker as she finds the Vasa mitten and its outer casing on display in the Vasa Museum.
Object: Vasa Mitten
Description: A left mitten liner made of grey wool; loosely spun.3 The thumb is no longer attached to the mitten though it is placed in position for display. The fabric shows heavy fulling, although it is unknown if that was original or simply developed from wear and/or find circumstances.
Dated to: 10 August 1628 CE4 (no more recent than)
Find location: Vasa shipwreck, starboard side of the lower battery deck between beams 2 and 3 about 5.3 to 6.77 meters from the bow,5 Stockholm archipelago, Sweden
Only one of several beautiful and detailed photographs available on the digitaltmuseum.se link. Scroll past the photos of the leather mittens to find them. Photo: Vasa Museum CC BY 4.0
The 1983 edition of Berit Westman’s Nålbindning: 12 varianter contained the first image of the Vasa mitten that I had seen. It was lovely to see it in person again in May of 2023; when I also got the chance to examine the other nalbinding found on the ship.
Some sources in which more information can be found:
Looström, Anne and Birgitta Stapf. “Tre Tusen Textilfragment : Från Wasan Söndagen Den 10 Augusti 1628.” Dissertation. 1983. [Note: I have not read this yet. It was recommended.]
Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog. Patrons on Patreon receive early access previews, occasional extra details, and priority requests.
I contributed Case study 8, and a bit for the catalog, on the fringed nalbound sock in their collection. The sock is one of 112 textile fragments from Roman, Byzantine, and Early Medieval Arab Egypt currently in the National Museum of Denmark. The case study includes some beautiful professional photographs of the sock!
This is the same sock I was honored to examine in 2019. Initial results of that examination were included in“Fringed and patterned: decorative elements in Romano-Coptic nalbound socks” presented at the Textiles from the Nile Valley study group conference on the 27th of October 2019. More in depth information and the current status of my research on this sock was presented in “A fringe study in footwear: lessons learned from a sock in a box” at the Reconstructing Textiles and Their History: Egyptian Fabrics from the 1st Millennium AD online workshop that occurred on March 26th, 2022.
The exhibition has twelve downloadable PDFs that include the Introduction, a Catalog of 30 fabrics from the collection, and eight Case Studies that go deeper into a variety of topics.
The online exhibition is the result of the RECONTEXT research project entitled “Reconstructing the history of Egyptian textiles from the 1st Millennium AD at the National Museum of Denmark” which involved research carried out by historians, art historians, archaeologists and ancient fabric conservators. The project included analyses of textile fibers, weaving and looping techniques, as well as complete photography of the entire collection. Fingers crossed that we will be able to continue research on this collection.
