Category: Museum

NOW: Loop & Twist net – 75-20-30/8561

The Nalbound Object of the Week this week is a small fragment of vegetal fiber found in Chile. The fragment has two types of Loop & Twist, both Z-crossed.

Net, looped, fragment. Object number: 75-20-30/8561
Courtesy of the Peabody Museum of Archaeology and
Ethnology, Harvard University. https://peabody.harvard.edu/ Request reproduction rights from https://peabody.harvard.edu/rights-and-reproductions

Object: Net, looped, fragment

Description: A small fragment of loop & twist net with both single and quadruple twist looping. Overall: 12 x 8 cm (4 3/4 x 3 1/8 in.)1

Dated to: none provided

Find location: Pisagua, Chile2

Material: vegetal fiber3

Stitch(es) used: double twist looping. (z-2s).4

Object number: 75-20-30/8561

Current location: Peabody Museum of Archaeology & Ethnology, Harvard University

Link to museum catalog or other data: https://collections.peabody.harvard.edu/objects/details/81168?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=86

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  1. https://collections.peabody.harvard.edu/objects/details/81168?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=86 ā†©ļøŽ
  2. https://collections.peabody.harvard.edu/objects/details/81168?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=86 ā†©ļøŽ
  3. https://collections.peabody.harvard.edu/objects/details/81168?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=86 ā†©ļøŽ
  4. https://collections.peabody.harvard.edu/objects/details/81168?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=86 ā†©ļøŽ

NOW: Viscachas figural effigy – 46-77-30/7651C

I hope everyone’s winter holiday season is going well and that the new year be all you need it to be. For this week’s Nalbound Object of the Week we got a viscacha figure/effigy. I love these because viscachas are sooo cute! (I’ve included a picture of a live viscacha below for those of us less familiar with what exactly one looks like.)

Effigy, viscachas, looped. Object number: 46-77-30/7651C
Courtesy of the Peabody Museum of Archaeology and
Ethnology, Harvard University. https://peabody.harvard.edu/ Request reproduction rights from https://peabody.harvard.edu/rights-and-reproductions

Object: Viscachas effigy

Description: Worked in yellow and dark brown yarn, the figure includes the pointed ears, nose, and long tail of a viscacha. Overall: 7.5 x 1 x 1.7 cm (2 15/16 x 3/8 x 11/16 in.)1

Dated to: Early Intermediate period
Nazca2

Find location: Nazca, Peru3

Material: camelid4

Stitch(es) used: Looping.5 S-crossed and Z-crossed Simple Looping depending on which part of the viscacha (as determined by Anne Marie Decker based on the photograph)

Object number: 46-77-30/7651C

Current location: Peabody Museum of Archaeology & Ethnology, Harvard University

Link to museum catalog or other data: https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62

Pictures:

A vizcacha (Lagidium viscacia) near Rio Grande, in the Atacama desert, Chile.
Photo: Alexandre Buisse (Nattfodd), CC BY-SA 3.0

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
Patrons on Patreon receive early access previews, occasional extra details, and priority requests.

  1. https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62 ā†©ļøŽ
  2. https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62. Estimated to 200 BCE to 600 CE as per https://en.wikipedia.org/wiki/Periodization_of_pre-Columbian_Peru ā†©ļøŽ
  3. https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62 ā†©ļøŽ
  4. https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62 ā†©ļøŽ
  5. https://collections.peabody.harvard.edu/objects/details/100405?ctx=4b5a04a42bb2e1beb986339955f300990aa07639&idx=62 ā†©ļøŽ

NOW: Child’s sock with orange, blue and yellow stripes – III 15474

For a person that has spent a lot of time examining stockings, this is an excellent time of the year. The Museum der Kulturen Basel has the largest collection of Egyptian nalbinding1 and they just recently put their entire collection online. So this week’s Nalbound Object of the Week is one of my favorite of the children’s socks.

Ā©Museum der Kulturen Basel CC BY 4.0

Object: Child’s sock with orange, blue and yellow stripes – III 15474

Description: The sock is striped with blue, orange, and yellow stripes and a natural (now cream) base that shows mostly in the wedge heel. It has a relatively short, undifferentiated, toe box with a rather large wedge heel. The ankle is damaged and its true height unknown. Length 17 cm2

Dated to: 4th century ?3 CE (This is a very old art historical based dating. There has been no scientific dating of compound Egyptian nalbound socks. More recent excavations are finding compound nalbound socks in 11th century layers. I would dearly love to have a few of these radiocarbon dated as exactly when compound nalbinding began cannot be determined without solid dating.)

Culture: Coptic4

Find location: Egypt5

Material: Wool6

Stitch(es) used: F2 UOO/UUOO,7 Mammen

Inventory number: III 154748

Current location: Museum der Kulturen Basel, Switzerland

Link to museum catalog or other data: The Museum der Kulturen database does not have permalinks. Search for the Inventory number in https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be

Some sources in which more information can be found:

Bƶttcher, Gudrun. ā€œKoptische Nadelbindungstextilien im Museum der Kulturen Baselā€ in Experimentelle ArchƤologie in Europa: Bilanz 2004 Heft 3. edited by Corinna Endlich. Oldenburg: Isensee Verlag, 2004: 211-214. ISBN 3-89995-204-9.

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
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  1. That we know of so far because I am certain there are more socks out there in boxes and the backs of drawers that haven’t been opened in a century. ā†©ļøŽ
  2. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ
  3. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ
  4. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ
  5. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ
  6. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ
  7. Bƶttcher writes it as Stitch Type: III and Stitch Variant: F(L) 2 UOO/UUOO. Bƶttcher, Gudrun. ā€œKoptische Nadelbindungstextilien im Museum der Kulturen Baselā€ in Experimentelle ArchƤologie in Europa: Bilanz 2004 Heft 3. edited by Corinna Endlich. Oldenburg: Isensee Verlag, 2004: 211-214. ISBN 3-89995-204-9. pg 213. ā†©ļøŽ
  8. Museum der Kulturen Basel dataset published under the license CC BY 4.0 https://onlinecollection.mkb.ch/#/query/f901c9da-5de6-4bea-819e-39e4464051be ā†©ļøŽ

NOW: Chevron patterned hat – 46-77-30/10427

This week’s Nalbound Object of the Week is a striking Peruvian hat worked in Cross-knit Looping in a distinctive chevron pattern. While there are quite a few hats found in Peru, both in Simple Looping and in Cross-knit Looping, this is the first I’ve come across with this Chevron patterning.

Cap, looped, circular. Object number: 46-77-30/10427
Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University. https://peabody.harvard.edu/
Request reproduction rights from https://peabody.harvard.edu/rights-and-reproductions

Object: Chevron patterned hat

Description: A dark brown and tan chevron patterned hat broken into 4 quarters with alternating chevrons. Overall: 16 x 17 cm (6 5/16 x 6 11/16 in.)1

Dated to: Chancay? culture2

Find location: Zapallan, Peru3

Material: camelid4

Stitch(es) used: Z-crossed5 Cross-knit Looping6

Object number: 46-77-30/10427

Current location: Peabody Museum of Archaeology & Ethnology, Harvard University

Link to museum catalog or other data: https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
Patrons on Patreon receive early access previews, occasional extra details, and priority requests.

  1. https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72 ā†©ļøŽ
  2. https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72. Chancey culture would put this hat in the Late Intermediate Period, 1000 CEĀ ā€“ 1476 CE, https://en.wikipedia.org/wiki/Periodization_of_pre-Columbian_Peru ā†©ļøŽ
  3. https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72 ā†©ļøŽ
  4. https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72 ā†©ļøŽ
  5. As determined from the photograph by Anne Marie Decker ā†©ļøŽ
  6. https://collections.peabody.harvard.edu/objects/details/90463?ctx=3895f836dffa87d819a31a9db21ff30320b3e15c&idx=72 ā†©ļøŽ

NOW: Fragment from St. Audoen’s church, Dublin – E497:2428.325

This week I get to share with you the excitement of finding out about a rare find in a church I once visited. Some regions have preserved many finds, but textiles in Ireland are relatively rare and nalbound ones more so. Thus this week’s Nalbound Object of the Week is the second known nalbound artifact from Ireland. The fragments were found in the 12th century occupational debris. Photos have been published this year in Textiles of Ireland: Archaeology, Craft, Art by Elizabeth Wincott Heckett if you would like to see them. There’s also a nice diagram in 2006 Archeological Monograph on the excavations.

St Audoen’s Church & Visitor center when we visited on April 27, 2014. Photo credit: Anne Marie Decker

Object: Two main fragments. Usage unknown, but possibly a sock or cap.

Description: The larger fragment is 30 cm long by 8 cm high1 showing the remains of 6 rows. The smaller fragment is 6 cm long by 5 cm high2 with remains of 3+ rows. The thickness of both is c. 2mm.3 Original use as a mitten was ruled out as the length of the larger fragment would exceed the circumference appropriate for a mitten and is more suitable for a sock or a piece of a cap.4 There is no evidence of either intentional or wear fulling.5

Dated to: 12th century6 CE

Find location: Found in the 12th century occupation debris associated with timber structures during excavation of St. Audoen’s church, Cornmarket, Dublin, Ireland.7

Material: A dark brown, naturally colored, coarse, perhaps kemp-like, wool. No dye detected. The yarn has been combed and worsted spun in a medium to loose Z spin then two-plied with an S twist. The yarn is 1.5 mm in diameter.8

Stitch(es) used: uo o/u uoo F1 based on analysis of one of the outermost rows of loops.9 (Korgen)

Inventory number: E497:2428.325

Current location: Still tracking that down. The detailed catalog was lodged with the excavation archive in the Department of the Environment, Heritage and Local Government. Some of the items excavated at St Audoen’s remain there on display in their Visitor’s Centre.

Link to museum catalog or other data: none known

Some sources in which more information can be found:

Wincott Heckett, Elizabeth. “Textiles” in the Archaeological Finds chapter of St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture by Mary McMahon. Dublin: The Stationary Office, Government of Ireland, 2006. ISBN 0-7557-7315-2

Wincott Heckett, Elizabeth. Textiles of Ireland: Archaeology, Craft, Art. Edited by Mary Ann Williams. Cork: Cork University Press, 2025. ISBN 9781782055716

1263

Photographs:

There are two photos by Peter Maloney Ā© The Estate of Elizabeth Wincott Heckett included in Textiles of Ireland: Archaeology, Craft, Art: Fig. 15.1 on page 228 and Fig. 15.2 on page 231.

There is also an archeological drawing contained the the archeological monograph, St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture, by Mary McMahon: Fig. 6.9 on page 74.

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  1. 300 x 80mm. Wincott Heckett, Elizabeth. “Textiles” in the Archaeological Finds chapter of St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture by Mary McMahon. Dublin: The Stationary Office, Government of Ireland, 2006. ISBN 0-7557-7315-2 page 74 and republished in Wincott Heckett, Elizabeth. Textiles of Ireland: Archaeology, Craft, Art. Edited by Mary Ann Williams. Cork: Cork University Press, 2025. ISBN 9781782055716. pg. 230 ā†©ļøŽ
  2. 60 x 50mm. Wincott Heckett, Elizabeth. “Textiles” in the Archaeological Finds chapter of St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture by Mary McMahon. Dublin: The Stationary Office, Government of Ireland, 2006. ISBN 0-7557-7315-2 page 74 and republished in Wincott Heckett, Elizabeth. Textiles of Ireland: Archaeology, Craft, Art. Edited by Mary Ann Williams. Cork: Cork University Press, 2025. ISBN 9781782055716. pg. 230 ā†©ļøŽ
  3. Wincott Heckett, Elizabeth. “Textiles” in the Archaeological Finds chapter of St Audoen’s Church, Cornmarket, Dublin: Archaeology and Architecture by Mary McMahon. Dublin: The Stationary Office, Government of Ireland, 2006. ISBN 0-7557-7315-2 page 75 and republished in Wincott Heckett, Elizabeth. Textiles of Ireland: Archaeology, Craft, Art. Edited by Mary Ann Williams. Cork: Cork University Press, 2025. ISBN 9781782055716. pg. 232 ā†©ļøŽ
  4. Ibid. pg. 75, and republished in Ibid. pg. 233 ā†©ļøŽ
  5. Ibid. pg. 75, and republished in Ibid. pg. 231 ā†©ļøŽ
  6. Ibid. pg. 74, and republished in Ibid. pg. 229 ā†©ļøŽ
  7. Ibid. pg. 74, and republished in Ibid. pg. 229 ā†©ļøŽ
  8. Ibid. pg. 75, and republished in Ibid. pg. 232 ā†©ļøŽ
  9. Ibid. pg. 75, and republished in Ibid. pg. 232 ā†©ļøŽ

NOW: Border fragment with three figures – 1956.405

The figural work found in the decorative borders made by the Nazca people is stunningly beautiful and detailed. This week’s Nalbound Object of the Week is a beautiful sample of their cross-knit looped borders. This fragment has three very distinct figures. The Art Institute of Chicago’s website has very nice closeups of both sides and a very good zoom function if you’d like to see more.

Nazca. Fragment of a Decorative Border, 100 BCE-200 CE. The Art Institute of ChicagoĀ®
CC0 Public Domain

Object: Fragment of a Decorative Border 1956.405

Description: A border fragment with three figures. The figures are about 2.5 inches tall. The piece is 11.4 Ɨ 6.7 cm (4 1/2 Ɨ 2 5/8 in.)1

Dated to: 100 BCE-200 CE2

Culture: Nazca3

Find location: Possibly Coyungo, Nasca Valley, south coast, Peru4

Material: Cotton (plain woven ground), Camelid wool5

Stitch(es) used: The band’s ground support is plain weave and the extension supports are simple looping. The ground is encased in the decorative cross-knit looping6

Inventory number: 1956.405

Current location: The Art Institute of ChicagoĀ®

Link to museum catalog or other data: https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border

Some sources in which more information can be found:

Sawyer, Alan R. Early Nasca Needlework. London: Laurence King Publishing, 1997. pg. 149, fig. 119 and 120 (ill.).

Melo, Alipio, MarĆ­a JosĆ© Murillo, and Danitza Willka. ā€œThe Heartbeat of Andean Weaving,ā€ in On Loss and Absence: Textiles of Mourning and Survival, eds. Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, exh. cat. Chicago: Art Institute of Chicago, 2025. pg. 164, fig. 3 (ill.).

Photographs (if permissions allow):

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
Patrons on Patreon receive early access previews, occasional extra details, and priority requests.

  1. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ
  2. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ
  3. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ
  4. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ
  5. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ
  6. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/3000/fragment-of-a-decorative-border ā†©ļøŽ

NOW: Light brown Egyptian Sock – (A&I)1914:205

This week’s Nalbound Object of the Week is an Egyptian Sock that is currently located in the National Museum of Ireland. Early online photos of the sock were taken at such an angle that the toe split was not visible. This led to mistaken impression that this sock was the only adult cross-knit looping (Coptic stitch) nalbound sock with a single toe box. I was lucky enough to come across this sock on display in April of 2014, so I had seen in person that it did have a split toe to accommodate sandals. In fact, out of the 49 or so cross-knit looped nalbound Egyptian socks we have images of and are whole enough to tell, only the tiniest baby socks for not yet mobile infants do not have split toes.

Woolen Sock (A&I)1914:205 Ā© National Museum of Ireland CC BY-NC-SA 4.0

Object: Woolen Sock

Description: A now light brown wool sock for the left foot with a split at the ankle and ties still remaining. There is a decorative welt around the ankle where the heel cup shifts to the ankle. Height 9cm, width 8cm, Length 22 cm.1 The sock arrived at the National Museum of Ireland as part of the distributions the Egypt Exploration Fund in 1914.2

Dated to: Graeco-Roman Period:  Roman Period3

Find location :  el-Sheikh Ibada/Antinoopolis, Egypt4

Material: Wool5

Stitch(es) used: S-crossed Cross-knit Looping (as determined from photographs by Anne Marie Decker)

Inventory number: (A&I)1914:205

Current location: National Museum of Ireland

Link to museum catalog or other data: https://www.museum.ie/collections/collection/antiquity-203733/?return=%2Fcollections%2Fcollection%2F%3Fterm%3Dsock

Some sources in which more information can be found:

https://www.globalegyptianmuseum.org/record.aspx?id=2619

Rose-Beers, Kristine. (2023). The Threads that Bind: Evidence of the Early Codex Structure in Chester Beattyā€™s Papyri. DOI 10.1515/9783110781304-009.

Photographs:
There are two additional views of the sock available on the National Museum of Ireland’s website. The view that obscures the split toe can be seen on The Global Egyptian Museum.org site.

Racconti da un vecchio calzino egizio

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Patrons on Patreon receive early access previews, occasional extra details, and priority requests.

  1. https://www.globalegyptianmuseum.org/record.aspx?id=2619 ā†©ļøŽ
  2. https://www.globalegyptianmuseum.org/record.aspx?id=2619 ā†©ļøŽ
  3. https://www.globalegyptianmuseum.org/record.aspx?id=2619 ā†©ļøŽ
  4. https://www.globalegyptianmuseum.org/record.aspx?id=2619 and https://www.museum.ie/collections/collection/antiquity-203733/?return=%2Fcollections%2Fcollection%2F%3Fterm%3Dsock ā†©ļøŽ
  5. https://www.museum.ie/collections/collection/antiquity-203733/?return=%2Fcollections%2Fcollection%2F%3Fterm%3Dsock ā†©ļøŽ

NOW: Arizona Cliff-dweller skullcap – 14-5-10/A1260

Generally when we talk about nalbinding from the Southwest United States, we are talking about socks or shoe-socks or possibly leggings. This week’s Nalbound Object of the Week is unusual in that it is a cap. When the excavations were published in 1919, it was the only textile cap to have been found in the Southwest.

Looped cap. Plate 34. a.1

Object: Skull-cap

Description: A natural colored cap worked from the center down.

Dated to: No date provided, but the Cliff-dweller culture is believed to come after the Basket-maker culture. Estimate Pueblo III (1150ā€“1350).

Find location: Cliffhouse 22 / Ruin 2 in Sayodneechee Canyon (“Where the red rocks run under” in Navajo)3

“At g, just outside one of the rooms and beneath 8 inches of closely packed rubbish, lay a cap of yucca yarn.”4

Material: Sometimes referred to as made of yucca cord5 (narrow leaf yucca), but there is also a mention that the cap is likely apocynum (Dogbane/Indian Hemp) fiber6

Stitch(es) used: Z-crossed Simple Looping7 called coiled work without foundation8 in the excavation report. “Near the edge there are 9 coils and 5 loops to the inch, the stitches nearer the top are deeper and wider spaced.”9

Object number: 14-5-10/A1260

Current location: Peabody Museum of Archaeology & Ethnology, Harvard University

Link to museum catalog or other data: https://collections.peabody.harvard.edu/objects/details/169386

Some sources in which more information can be found:

Kidder, Alfred Vincent, and Samuel J. Guernsey. Archeological Explorations in Northeastern Arizona. Smithsonian institution. Bureau of American Ethnology Bulletin 65. Washington D.C.: U.S. Government Printing Office, 1919. https://repository.si.edu/items/14df4b65-e141-4ea1-b541-3b2ac24e7fdf Accessed 13 November 2025.

Photographs (if permissions allow): There is a nice color photo of the cap on the Peabody Museum’s site.

The glass plate of the picture published in the Archeological Explorations in Northeastern Arizona is also in the Peabody: https://collections.peabody.harvard.edu/objects/details/500065

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
Patrons on Patreon receive early access previews, occasional extra details, and priority requests.

  1. Kidder, Alfred Vincent, and Samuel J. Guernsey. Archeological Explorations in Northeastern Arizona. Smithsonian institution. Bureau of American Ethnology Bulletin 65. Washington D.C.: U.S. Government Printing Office, 1919. https://repository.si.edu/items/14df4b65-e141-4ea1-b541-3b2ac24e7fdf pg. 94 ā†©ļøŽ
  2. https://collections.peabody.harvard.edu/objects/details/169386 ā†©ļøŽ
  3. Kidder, Alfred Vincent, and Samuel J. Guernsey. Archeological Explorations in Northeastern Arizona. Smithsonian institution. Bureau of American Ethnology Bulletin 65. Washington D.C.: U.S. Government Printing Office, 1919. https://repository.si.edu/items/14df4b65-e141-4ea1-b541-3b2ac24e7fdf pg. 19 ā†©ļøŽ
  4. Ibid., Figure pg. 20. Quote pg. 24 ā†©ļøŽ
  5. Ibid., pg. 100 ā†©ļøŽ
  6. Ibid., pg. 117 ā†©ļøŽ
  7. As determined by Anne Marie Decker based on the diagram in Kidder & Guernsey’s explorations and examination of the picture provided. ā†©ļøŽ
  8. Kidder, Alfred Vincent, and Samuel J. Guernsey. Archeological Explorations in Northeastern Arizona. Smithsonian institution. Bureau of American Ethnology Bulletin 65. Washington D.C.: U.S. Government Printing Office, 1919. https://repository.si.edu/items/14df4b65-e141-4ea1-b541-3b2ac24e7fdf pg. 100 ā†©ļøŽ
  9. Ibid., pg. 117 ā†©ļøŽ

NOW: Border of warriors – 1956.1267.3a-h

This week’s Nalbound Object of the Week is a beautiful cross-knit looping example. A border of warriors and their sacrifice, originally intended to be attached to a piece of fabric. If you go to the The Art Institute of Chicago’s website there is a very good zoom function and some close-ups showing the underlying support worked in Simple Looping.

Nazca. Warrior Fragments, 100 BCE-200 CE. The Art Institute of ChicagoĀ®
CC0 Public Domain

Object: Border of warriors

Description: A border of warriors and a sacrifice. The figures are about 2.5 inches tall. More details on The Art Institute of Chicago’s website.

Dated to: 100 BCEā€“200 CE1

Culture: Nazca2

Find location: South coast, Peru3

Material: Cotton (ground), Camelid wool4

Stitch(es) used: Simple Looping for the ground support, cross-knit looping and cross-knit loop stitch embroidery5

Inventory number: 1956.1267.3a-h

Current location: The Art Institute of ChicagoĀ®

Link to museum catalog or other data: https://www.artic.edu/artworks/148858/warrior-fragments

Some sources in which more information can be found:

Sawyer, Alan R. Early Nasca Needlework. London: Laurence King Publishing, 1997. pg. 148, color fig. 117.

Photographs (if permissions allow):

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  1. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/148858/warrior-fragments ā†©ļøŽ
  2. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/148858/warrior-fragments ā†©ļøŽ
  3. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/148858/warrior-fragments ā†©ļøŽ
  4. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/148858/warrior-fragments ā†©ļøŽ
  5. The Art Institute of ChicagoĀ® https://www.artic.edu/artworks/148858/warrior-fragments ā†©ļøŽ

Blue and white knit stockings

Nalbinding isn’t the only corpus that is spread out across many institutions. Recently a number of museums have added to their online collection databases and we are now able to see quite a few more blue and white knitted artifacts from Egypt.

So in addition to the ones in The Textile Museum that I posted about in 2020: https://nalbound.com/2020/10/06/the-textile-museum/ I wanted to share a few others that I’ve found or had brought to my attention.

Here are three pieces from the Detroit Institute of the Arts:

Credit: City of Detroit Purchase – Public Domain
https://dia.org/collection/knitted-hosiery-simplified-inscriptions-49401
Credit: City of Detroit Purchase – Public Domain
https://dia.org/collection/knitted-hosiery-simplified-inscriptions-11553
https://dia.org/collection/knitted-hosiery-simplified-inscriptions-1789


The Staatliche Museen zu Berlin, Museum fĆ¼r Islamische Kunst has four pieces:

Credit: Staatliche Museen zu Berlin, Museum fĆ¼r Islamische Kunst / Christian Krug CC BY-SA 4.0
https://id.smb.museum/object/1528093/socke-fu%C3%9Fbekleidung
Credit: Staatliche Museen zu Berlin, Museum fĆ¼r Islamische Kunst / Johannes Kramer CC BY-SA 4.0
https://id.smb.museum/object/1528094/socke-fu%C3%9Fbekleidung
Credit: Staatliche Museen zu Berlin, Museum fĆ¼r Islamische Kunst / Johannes KramerCC BY-SA 4.0
https://id.smb.museum/object/1528095/socke-fu%C3%9Fbekleidung
Credit: Staatliche Museen zu Berlin, Museum fĆ¼r Islamische Kunst / Christian Krug CC BY-SA 4.0
https://id.smb.museum/object/1528092/socke-fu%C3%9Fbekleidung


In 2019 I had the opportunity to go to the Museum der Kulturen Basel to study the nalbinding they have in their collection. While there, they shared a few pieces of their blue and white knitting with me as well. As they were putting it away, I got hints that they had an extensive collection. The Museum der Kulturen Basel has just recently put their collection online and there are some amazing pieces. Their database does not have permalinks to individual artifacts, so you will need to search via the Object Number for more details on each piece: https://www.mkb.ch/en/museum/sammlung.html

III 14162 Ā©Museum der Kulturen Basel CC BY 4.0
III 3105 Ā©Museum der Kulturen Basel CC BY 4.0
III 15542 Ā©Museum der Kulturen Basel CC BY 4.0
III 14937 Ā©Museum der Kulturen Basel CC BY 4.0
III 15447 Ā©Museum der Kulturen Basel CC BY 4.0
III 14163 Ā©Museum der Kulturen Basel CC BY 4.0
III 11837 Ā©Museum der Kulturen Basel CC BY 4.0
III 11838 Ā©Museum der Kulturen Basel CC BY 4.0
III 14160 Ā©Museum der Kulturen Basel CC BY 4.0
III 14161 Ā©Museum der Kulturen Basel CC BY 4.0
III 14886 Ā©Museum der Kulturen Basel CC BY 4.0
III 14887 Ā©Museum der Kulturen Basel CC BY 4.0
III 14888 Ā©Museum der Kulturen Basel CC BY 4.0
III 14889 Ā©Museum der Kulturen Basel CC BY 4.0
III 14890 Ā©Museum der Kulturen Basel CC BY 4.0
III 14891 Ā©Museum der Kulturen Basel CC BY 4.0
III 14892 Ā©Museum der Kulturen Basel CC BY 4.0
III 14893 Ā©Museum der Kulturen Basel CC BY 4.0
III 14894 Ā©Museum der Kulturen Basel CC BY 4.0
III 14895 Ā©Museum der Kulturen Basel CC BY 4.0
III 14896 Ā©Museum der Kulturen Basel CC BY 4.0
III 14897 Ā©Museum der Kulturen Basel CC BY 4.0
III 14898 Ā©Museum der Kulturen Basel CC BY 4.0
III 14899 Ā©Museum der Kulturen Basel CC BY 4.0
III 15446 Ā©Museum der Kulturen Basel CC BY 4.0
III 15543 Ā©Museum der Kulturen Basel CC BY 4.0
III 15544 Ā©Museum der Kulturen Basel CC BY 4.0
Mueseum der Kulturen Basel https://www.mkb.ch/en/museum/sammlung.html

This bit of blue and white knitting isn’t in an online catalog, but the article in which it was published is online: https://ejournals.epublishing.ekt.gr/index.php/benaki/article/view/1765/1754

Do you have links to other blue & white knitting from Egypt?

Edit: Thank you Geeske for reminding me of this one in the V&A: https://collections.vam.ac.uk/item/O128882/sock-unknown/

Please note that sharing to other venues will likely be intermittent. If you wish to receive these each week, please remember to follow the blog.
Patrons on Patreon receive early access previews, occasional extra details, and priority requests.